Our Best Maybeck Evidence - The Rowland Visit Letter

Rowland and Rowland, father and son team, are the builders of our house. The father, Volney Rowland, came to visit the house in 1951, and the owners at that time, Fred and Ada Hacking, wrote a letter about the visit.

The main reason this site is called Maybe-ck or "Maybe a Maybeck" is because we believe the original house was designed by Bernard Maybeck, one of America's greatest architects. The start of this whole research quest is contained in this letter which is still our best evidence to date that the house was designed by Maybeck and not Rowland copying Maybeck's style. Rowland would be able to make something that looked like a Maybeck since he was a longtime collaborator and even built Maybeck's own Sack House in the Berkeley hills. Besides this note, we have heaps of stylistic evidence suggesting it is a Maybeck, though the conspiracy theorists would argue that it was simply Rowland copying Maybeck's sometimes odd stylistic traits down to a T.

The letter starts out with information linking the house to the letter:

Date: January 2nd, 1951

Address: 1526 Mountain Blvd., Oakland, CA 94611

People mentioned:
Mary Kingsley, Original Owner of 1526 Mountain
Fred Hacking, narrator, and Ada Hacking, wife of the narrator. Owners of 1526 Mountain at this time in 1951. Elderly gentleman, V. Rowland, original builder of the house.

"We rubbed down every board with steel brushes":

Rubbing the redwood with steel brushes eats away more of the soft wood and enhances the darker grain lines which also gives them a smooth, but choppy-water-like shape.

"I carved with my own hands the hasps and door handles":

The front door, garage doors and other doors throughout the house are carved from very hard redwood knots.

"We specially dried every board in the floors so they would not shrink and then filled the spaces with a special filler and pegged the boards with hardwood.":

The floors are about 1&1/2" thick tongue-and-groove redwood, which is an uncommon wood for flooring since it is a bit softer than Oak or Doug Fir. Where the boards are meet, there is a beveled V shape which is filled with a white putty which has the feel of old hard window glazing putty. The plugs are a deep red color, like Cherry or another furniture hardwood.

"We imported special timbers and we brought down from near Sequoia National Park the special wood for the dining room and the studio room":

The pecky cedar, discussed earlier, is salvaged from dead trees that have begun to get eaten by bugs as featured heavily in the first addition which Rowland came back from Texas to help with. If Mrs. Kingsley went to the effort of bringing Rowland back from Texas, she probably wanted to get the team back together that made the house originally and would likely have asked for Maybeck to assist with the addition as well.

"We used amber glass in the steel windows imported from Belgium at a cost of $1.50 each sheet, and there are roughly 480 sheets."

The original house has yellow glass but the rest is plain. It's been a help to see what windows are original. The yellow glass is in different shades on different sides of the house. The south side has amber colored glass that casts a strong glow. The other sides are yellow as well but less so. The steel "industrial sash" windows are a classic Maybeck features and just one of the many odd touches he liked.

"We used an overhead cable and 800lb. capacity bucket from an upper tree to the street and with a Model T. Ford for power we raised the materials, including 50 tons of rock and concrete":

Wow a model T was used for power?! Those don't have much power, but in 1927, this may have been the best way to get materials up the hill.

"He told about the fireplace and admired the way in which we improved that...":

Maybeck is known for somewhat harsh looking board formed concrete fireplaces and chimneys, including his signature venturi top which we will discuss later. The house currently has a hammered copper hood which looks really cool though it's not something that Maybeck would have done.

"When she built this home she insisted that she was going to use a lot of her own common sense and artistic ability to have it built right regardless of cost or interference. She selected her own architect, a Mr. Maybeck - a very famous artisan, and her own builder, this Mr. Rowland."

Here he clearly states that the house was designed by Maybeck. Personally, I think it would take a conspiracy theory to say that the note was a forgery or that Rowland lied about designing the house. It would be odd for Rowland to lie about designing the house, copying one of his best friends, who was still alive living in the Berkeley hills at this time.

So why wasn't Maybeck listed on the building permits?

What we know:

  • Maybeck met Rowland in the early '20s.
  • After the September '23 Berkeley hills fire that devastated a little cluster of Maybeck designed or influenced houses, Rowland and Maybeck reused burnt old growth timbers (very strong) by cleaning them with wire brushes. This is how they developed the raised grain technique featured throughout the house and the first addition, which I believe were both collaborations, the addition less so but I think based on a Maybeck sketch.
  • Maybeck had also stopped drafting at this point and instead simply focused on his "pretty little pictures" as he called them. This means Maybeck was designing the houses based mainly on design drawings, not technical drawings. It's likely that would mean, at the minimum, a floor plan and elevations, which are flat drawings of the sides of the house. He may have included a perspective drawing of the way the roof lines fit into the hillside, as his "Hillside Homes" series.
  • Maybeck trusted Rowland at this time to know how he wanted things to be done since they had already worked together for about 5 years at this point. It's possible he wasn't on the permit either because he didn't draft the plans, or because he was busy and wanted Rowland to be the point man to interact with the building inspector. Or maybe it was because the building plans that were generated from the design drawings weren't signed by Maybeck or something so it was just a simpler way to get through the bureaucracy of the Oakland Building Department.

TIMELINE: Maybeck was pretty busy at the time. He had recently finished the Phoebe Hearst Gymnasium for Women on UC Berkeley campus with architect Julia Morgan in January '27. He was working on, or finishing up two projects for Earl C. Anthony - his Packard Showroom in San Francisco and his house in Los Angeles. It would be possible to do both, at least in terms of completing the architects job, by October 10th, '27 when the Kingsley house began construction. The Packard Showroom drawings were done in '26 and the construction was completed in '27. The final plan for the Anthony house in L.A. was done in December 28.  The work on the Kingsley house went very quickly with a rough inspection 1-11-28 by the building inspector meaning the framing was worthy of inspection at that point. Framing/Plumbing/Electrical are parts of the rough inspection and 3 months is fast. Maybeck would have needed to keep working on the Anthony House in L.A. as it was a much more extensive project and was completed in 1930. He also remodeled another showroom for Anthony in '28. There appears to be a window in late '27 and early '28 when this project could have occurred between Earl Anthony projects. In the '30s he was working on the Pricipia College project and it seems there would have been time to squeeze in a sketch for Rowland by '39.

"He was called back from the South at a later date to construct the studio room. (the upper bedroom suite was constructed at a still later date)":

This describes the three phases of construction as discussed earlier. The original house, the first addition, and the 2 bedrooms and bath in the back of the house that are clearly NOT Rowland or Maybeck since they don't match the care and detail put into the rest of the house.

Side note: "We hear Mr. Maybeck is still living in Berkeley - over 80 years of age now."

As mentioned, Maybeck had shifted to drawing in '23 and built his last house in '40 in his seventies.

"He also stated that a famous artist later asked to make a painting of the interior and that Mrs. Kingsley had later presented that canvas to him and he also said that LIFE Magazine had published a several page article but that he did not have this magazine.":

I wish I could find the painting of the interior but I would probably have to search every artist in the time period under Mrs. Kingsley's ownership and I don't even know how I would find that especially if it's in a private collection or lost. A famous artist's painting of the interior of the house would be really cool to see or own! The LIFE magazine article is unfortunately just a summary of Maybeck's career in the May 17th 1948 edition.

The final page simply has instructions to the Zikmunds, the next owners of the house.

The final page simply has instructions to the Zikmunds, the next owners of the house.

Nothing of note on the final page other than the Zikmunds are the next owners of the house. That means:

  • Mrs. Kingsley owned the house from 1927-'40s.
  • The Hackings owned the house from the '40s to '51 and all additions had already been done.
  • The Zikmunds owned the house until '51-'60 and added the fireplace hood and maybe the linoleum.
  • The owners before me did the last roof in 1960 (yikes!) and sold it to me in 2015. 

IN SUMMARY: I believe Rowland and Maybeck worked on the original house. I believe the addition was done by Rowland with a sketch from Maybeck. I believe the back two bedrooms and bath were done by average contractors since they are not really very interesting or special.

Maybeck Features '39 - Why I think the first addition was based on a Maybeck sketch

In my opinion, evidence is strong that the original 1927 house was designed by Maybeck. Less certain is his possible involvement in the first addition in '39. 

If Maybeck was involved, it would have been one of the last residential projects he ever worked on before retiring and that would be consistent with his tending toward informal sketches in his older age.

The main evidence relating to Maybeck's involvement is the strong similarities to the last residential project he did, the Aiken House, 1940.

The addition consists of a 9x12' dining nook off the kitchen, a music room with a grand piano, and a detached garage. 

THE PECKY CEDAR:

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The breakfast nook and the music room are COVERED with this odd material - boards salvaged from trees already half eaten by beetle larvae(?). The result is large passages through the wood like what you might have with a bad carpenter bee problem. Both rooms and the confirmed Maybeck Aiken House, built right after this addition, are totally covered in the stuff. He used this type of material starting in the early '30s to the end of his career. I have not seen this material used outside of his projects so it could be something he special ordered for his projects.

THE GRAND PIANO:

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Weber serial 59XXX dates to 1905-1910. from: https://en.m.wikipedia.org/wiki/Weber_Piano_Company

Weber serial 59XXX dates to 1905-1910. 

from: 

https://en.m.wikipedia.org/wiki/Weber_Piano_Company

The grand piano was built into the house, likely put in before the walls were closed since there is no other way to get it into the house. Maybeck seemed to put grand pianos in every house in the '30s. Maybe he had a piano guy with good deals...

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*THE WEIRD SKYLIGHTS*:

The most interesting feature by far is the weird and ugly modernist skylights, originally made from wire glass as it says on the permit.

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There is a little bit of the wire glass left.

There is a little bit of the wire glass left.

The Aikin house has a weird modern skylight too but it came in 1940

The Aikin house has a weird modern skylight too but it came in 1940

The reason I think this piece of evidence is very interesting is because the conspiracy theory would be Rowland, the builder, who worked with Maybeck before, just copied his style. BUT YOU CAN'T COPY SOMETHING THAT HASN'T BEEN DONE YET!!!

THE GARAGE: 

The garage was likely built in 1940, after the additions were done. It's not on the permit for the 1939 addition but it is listed as existing on the next permit.  The reason I think it was built in '40 is it's very Maybeck looking and has a fascia rock that matches the music room that's on the permit. I'm thinking they built it right after the inspector left in 1940.

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Part of the modern movement, brick and stone fascia was pretty hot in 1940-60s like on this apartment from '40 which was discussed earlier.

Part of the modern movement, brick and stone fascia was pretty hot in 1940-60s like on this apartment from '40 which was discussed earlier.

GOTHIC ARCH IN BOARD FORMED CONCRETE:

The gothic board formed concrete arch is very Maybeck. 

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It occurs over and over in his work. Like here: 

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And here: 

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And here: 

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And here: 

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And here: 

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GARAGE ROOF PATIO: 

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 The fence above the garage can be seen on Maybeck's Wallen I house, 1933 (Caldwell book).

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You've got to admit that is a compelling case! Or at least that there are a lot of strange coincidences.

To sum up:

-odd pecky cedar materials

-grand piano

-modern skylight

-board formed concrete gothic arch over garage

-garage top patio fenced in

Alameda Thrift Haul

Evan and I have a routine most Saturdays that starts with coffee and is followed by a trip to Alameda to do some thrifting. Our favorite place to go is Redux. It's an amazing little shop that is also part art gallery and has incredible salvaged items for insane prices (as seen below...). Today's trip was a grand success; we bought plenty of goods for the house and kept the cost under $50. Here's what we got!

6-pack Mushroom shooters for $2

6-pack Mushroom shooters for $2

splattered mixing bowls for $5.50/each

splattered mixing bowls for $5.50/each

condiment set for $2

condiment set for $2

embroidered kitchen towels for $2/each

embroidered kitchen towels for $2/each

retro "Cooling Dishes" cookbook for $2

retro "Cooling Dishes" cookbook for $2

pyrex dish with brass stand for $5.50

pyrex dish with brass stand for $5.50

not even sure what this Planter's Peanuts dish is for but it is awesome and cost $1

not even sure what this Planter's Peanuts dish is for but it is awesome and cost $1

(maybe) Moorish brass pitcher ($5) and vase ($4)

(maybe) Moorish brass pitcher ($5) and vase ($4)

cast iron candle holders for $3/each

cast iron candle holders for $3/each

Cabinet Wood Repair, Old Growth Redwood and Cedar, Clear Grain, and a $50 piece of wood

I needed some pieces of cabinet wood. I took a piece to MacBeath lumber in Berkeley

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I thought it was cedar, but the expert there said it was old growth redwood because it was too heavy to be cedar. "If you really want to match this, you need to go to the Lumber Baron in Albany." So it's old growth redwood, and that's hard to find and expensive. I decided to look at their cedar because if the only difference is weight, that won't matter when nailed to the wall. Plus this isn't meant to be a forever fix. In maybe 10 years I want to expand the kitchen and that's going to be super expensive and at that point I'll get some new cabinets made out of clear grain cedar or something for like 35K... Yikes

I looked through their boards and got the brownest one to match the oxidation of the old wood. I had to get "V.G. CLEAR" redwood which means clean, tight grain. At 1x6"x12', it was about $7.50 a board foot. (6" is half a foot so 6"x12' is equal to 1'x6' so 6 board feet). It was $50

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$50 but it matches so well! 

I think I can darken it with a yellow stain

I think I can darken it with a yellow stain

Matching the finish will be hard...

It's hard to see but there's a "Mary Kay" white type finish which is a milky finish. 

It's hard to see but there's a "Mary Kay" white type finish which is a milky finish. 

The milky finish is a closest match to "pickled oak"  which looks like this on pine

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FUN FACT: The above finish was used on Fender guitars in the '50s and '60s over Ash under the name "Mary Kay White." 

 

Fender "Mary Kay White" Stratocaster '57 reissue

Fender "Mary Kay White" Stratocaster '57 reissue

But our cabinets are actually a little purple

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Back door is very purple. The picture doesn't show it but it looks more like blueberry ice cream

Back door is very purple. The picture doesn't show it but it looks more like blueberry ice cream

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I had to shrink the cabinet up 3" to fit a modern fridge. 

I had to shrink the cabinet up 3" to fit a modern fridge. 

Now I need to cut down the door. 

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OK! I got the original cabinet trimmed up about 3" to fit a modern fridge. I'll figure out how to reproduce the milky pink stain in another post.